Recent Blog Posts
Mon Dec 1, 7:34 PM
Mon Dec 1, 4:24 PM
Mon Dec 1, 1:00 PM
Mon Dec 1, 9:17 AM
Mon Dec 1, 8:58 PM
Mon Dec 1, 5:24 PM
Mon Dec 1, 12:54 PM
Mon Dec 1, 8:20 AM
No related articles found
National Features >
Riverfront Times
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
Broward-Palm Beach New Times
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
The Cramps
Bad Music for Bad People
(Fontana A&M)
Published on August 19, 2008 at 3:46pm
While surf-punk bands like Agent Orange had punks hitting the beach in the '80s, psychobilly outfit The Cramps brought a darker, sexier side to surf music, as singer Lux Interior flexed his vocal muscles, all Elvis-on-acid-like, over guitarist Poison Ivy's oozing, springy rhythms. This 31-minute album is arguably the best of The Cramps' 32-year career. Right from the snarky leadoff track, "Garbageman," Bad Music for Bad People establishes itself as the cream of the psychobilly crop. Songs like the hedonistic anthem "New Kind of Kick" and the cheeky, garbled "She Said" show the Cramps at their most distinct — ghoulish grooves with a hint of humor. Even covers, like Charlie Feathers' "I Can't Hardly Stand It," carry The Cramps' sonic psycho-surf stamp. Cult classics like "Goo Goo Muck" and the noir-ish "Human Fly" round out this highly influential album.